There have been some developments with our Blood on Satan’s Claw audio – good developments, we hope – which means that the crowdfunder has been delayed slightly. Production is still pushing ahead, and we should have some news next week.
In the meantime, you can listen to a brief snippet of Mark Gatiss and Reece Shearsmith in Blood on Satan’s Claw here
We’ve been keeping quiet about this for a while, but finally we’re very pleased to announce that we’re remaking ‘70s horror classic Blood on Satan’s Claw on audio… with Mark Gatiss and Reece Shearsmith!
Adapted by horror writer Mark Morris, Blood on Satan’s Claw also stars the original film’s Angel Blake, Linda Hayden, alongside a stellar cast that includes Alice Lowe (Sightseers, Prevenge), John Heffernan (Ripper Street, Jonathan Strange and Mr Norrell), Ralph Ineson (The Witch, The Office) and Philip Hill-Pearson (Shameless, Good Cop).
Some scenes were recorded earlier this week, but we’ll be starting a crowdfunding campaign in coming weeks to finance the remainder of the project. Crowdfunders will be able to receive exclusive rewards by donating towards production costs. Keep an eye on our Facebook page in the next few days for more details.
Mark Gatiss says: “I first saw Blood on Satan’s Claw in the Friday night horror slot on Tyne Tees television, when I was a kid. I remember it vividly because it scared the life out of me. It’s so distinctly different. The pitch for the film is so strange, and it’s very much in that folk horror tradition: dark, bucolic, earthy and genuinely disquieting. It’s a fabulous tale.”
Linda Hayden added: “It’s lovely working with Reece Shearsmith and Mark Gatiss, as they’re huge fans of the film. I’m really honoured. It was always a really atmospheric piece, and the script to this new audio really captures that.”
Scriptwriter Mark Morris says: “I was first captivated by its unsettling, nightmarish atmosphere at the age of 12 or 13, since when it’s been one of my favourite horror films. I leaped at the chance, therefore, to adapt and expand the original screenplay for this new audio version, and from day one this has been a real labour of love. The calibre of the cast we’ve been able to attract to the project is phenomenal, and a testament to the film’s enduring impact. Blood on Satan’s Claw is back – and I’m incredibly proud, this time around, to be a part of it.”
We’re taking a short break, until 17th July, so any CD orders in the meantime won’t be sent out until then. Downloads are unaffected.
The tenth adventure for The Scarifyers is out today! After a decade spent fighting Cromwell, Rasputin, Nazis and inter-dimensional beings from the dawn of time, this time our heroes are battling actual garden gnomes. It’s better than it sounds, we promise.
If you like it, then please do leave a review on Amazon or elsewhere, it all helps. And if you still haven’t bought it, then hop to it! Then maybe we’ll make another one, and won’t take so long about it.
We won a thing! In a glittering ceremony (we assume it was glittering, we didn’t go) at the Manhattan Penthouse in New York last night, Baker’s End: Gobbleknoll Hall picked up the Gold award for Best Audiobook. That’s best audiobook in the world!
Bafflegab previously won Gold at the New York Festivals Awards in 2015, with The Brenda and Effie Mysteries. Baker’s End author, Paul Magrs, was mightily chuffed: ‘Oh frabjous day..! To win gold again is amazing! And this script in particular has ALL my favourite things in it – giant cats, haunted houses, glam rock stars, ghost hunters and Tom Baker down the pub!’
To celebrate we’re offering Gobbleknoll Hall for 50% off for the next week, so you can hear what all the fuss is about.
Say hello to our new website! It’s now compatible with these snazzy new things they call mobile phones, and looks nicer too.
Do drop in from time to time, as we have a cornucopia of exciting releases to be announced in 2017 (well, four) – starting with the long-awaited return of The Scarifyers, on June 30th. And if you haven’t pre-ordered The Gnomes of Death yet, then what are you waiting for?